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Sarangi, a traditional Nepali musical instrument is the best friend of Ghandarvas – a community of Kaski district. Their songs’ power comes from their soul instruments—the sarangi and the arbaja—and in that haunting voice they are known for, they bring forth the bhakas, the stories, the karkhas, the seasonal songs, and the festive songs.
Sarangi a four-stringed instrument played upright, with a bow is handcrafted out of a single piece of wood, hollowed at the base then covered with leather. It is played by rubbing on the wire and can be said to be a miniature version of violin owing to its technique and structure. The people of Gandharva community play this instrument along with the song they compose about real life incidents and events which they can relate with. The instrument’s sound resembles the human voice laced with rich oriental undertones.
In times, prior to postal era, telephones and introduction of modern technologies the Ghandarvas traveled singing about legendary heroes, ongoing battles and incidents of what they saw on their journeys.
Today, because of digital connectivity, the time-honored storytellers Gandharvas have been losing their authenticity rapidly. Though the sarangi holds a significant role in the folk genre of Nepalese music due to globalization and commercialization of music and entertainment, the tradition is slowly dying and the instrument itself faces extinction. Despite, Gandharvas losing their identity, there are still few places in Nepal where the authentic Gandharva culture can be a witness at its best.
In previous years, Late Jhalak Man Ghandarva, Khim Bahadur Ghandarva, and Tirtha Bahadur Ghandarva and many others have won the hearts of several traditional music lovers to become the national figures. In between performance by
Here we present few Iconic and Much-Loved Sarangi Players of Nepal
Late Jhalak Man Gandarbha is one of the most significant Nepali folk singers. He is popular for Gandarbha Sangeet, a popular type of folk song sung only by the Gandarbha ethnic group of Nepal. He is the first singer to record a song and is respected for bringing the voice of indigenous and ordinary people into the mass media. Aamale Sodhlin Ni … (Mother may ask …) is by far his most popular song, which intones the death of a Nepali soldier on a foreign battleground. To honor the greatest Nepalese singer the government of Nepal has built few statues for Gandarbha.
Khim Bahadur Gandarbha is an old, well-traveled talented musician as well as a revered teacher living in the place called Batulechaur. He started teaching more than a decade ago with the hope to pass on the knowledge and tradition gathered from a lifetime of accomplishment. He has taught more than 250 students about the traditional way to play Sarangi and his students are from Batulechaur to as far as Mexico and Finland, America and Switzerland.
He has been honored with many awards and recognition and his tiny home is adorned with pictures and medals describing the story of his success and achievements. He had also received a medal from Chairman Mao, the late leader of China and from King Mahendra along with a lifetime recognition award by Pokhara’s Rotary Club for his dedication to teaching at Pokhara’s Institute for the arts, the Sangee.
Popular sarangi player, Hom Bahadur Gandharva is from Palpa. Hom Bahadur is a popular singer cum musician who hails from the western hills of the country and is famous for his song “Honi Maya”.
Kiran Nepali, a renowned Sarangi player from Nepal, is a member of the folk band Kutumba. He is a third generation Sarangi player in his family and explains that he is greatly influenced by his grandfather, father, and uncles, who were all Sarangi players of their times. Kiran spent 4 weeks studying the Sarangi in the Batulechaur area, a well-known Gandharva settlement close to Pokhara. Kiran also plays the guitar and teaches Sarangi at the Mitrata Music Program, created by the PFC Foundation in an orphanage located in Kathmandu. He is running a project called “Project Sarangi” to promote the folk music of Nepal.
He says, “The sarangi is not a very loud instrument. Musicians try to work with microphones on stage, but there is a lot of feedback to deal with”
In this journey Kiran, the sarangi player has in many ways, been a catalyst for the evolution of the ethnic instrument. And it’s definitely more than just wanting to play a unique instrument. It’s about developing what you love.
Music has always been an important part of our culture. Ram Prasad Kadel and the Music Museum of Nepal have been working as fast as they can for many years to record as many of the old masters as they can for their archives. As Ram explains it, preserving some of the great old traditions, so he is working as hard as he can to save these jewels for future generations. But with little money and resources, his museum is still quite humble and small, though beautiful and very well presented.
More to this, the Mountain Music Project made a documentary film a few years ago on how similar Appalachian old-time music is to the Gandarbha music here in the Nepali Himalaya, they have discovered that this other cousin of traditional music has been kept alive in the US as well. Our pieces of music sound similar; scales, and themes are similar. On the Mountain Music Project CD, some of the great musicians like Tim O’Brien, Tony
Lastly, the musical messengers, the community of occupational caste musicians Ghandarva, fulfilled the exclusive role of relaying information from one place to another with soft musical tone played with the traditional Nepali musical instrument Sarangi. Their music needs to reach people who will value an art form that is different than what’s mainstream because there is so much artistry, so much poetry, and so much soul in their art.